翻訳と辞書 Words near each other ・ Missa L'homme armé sexti toni ・ Missa L'homme armé super voces musicales ・ Missa La sol fa re mi ・ Missa Latina ・ Missa Luba ・ Missa Mercuria ・ Missa Mexicana ・ Missa Pange lingua ・ Missa Papae Marcelli ・ Missa pro defunctis (Brumel) ・ Missa Pro Populo ・ Missa prolationum ・ Missa Salisburgensis à 53 voci ・ Missa Sancti Bernardi von Offida ・ Missa Sancti Nicolai ・ Missa Sanctissimae Trinitatis ・ Missa Sicca ・ Missa sine nomine ・ Missa sine nomine (Josquin) ・ Missa solemnis ・ Missa solemnis (Beethoven) ・ Missa solemnis (Bruckner) ・ Missa sopra Ecco sì beato giorno ・ Missa Tempore Quadragesimae (Michael Haydn) ・ Missa Votiva ・ Missael Espinoza ・ Missaglia ・ Missaglia (surname) ・ Missaguash River ・ Missak Manouchian Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Missa Sanctissimae Trinitatis ： ウィキペディア英語版 Missa Sanctissimae Trinitatis ''Missa Sanctissimae Trinitatis'' (The Holiest Trinity Mass) in A minor, ZWV 17, is the vocal-instrumental sacred work, written by Czech baroque composer Jan Dismas Zelenka. It was completed in 1736 as the first of five "High Mass" compositions he wrote in the last ten years of his life (Missa Sanctissimae Trinitatis, Missa Votiva - 1740, Missa Dei Patris - 1740, Missa Dei Filii - 1741 and Missa Omnium Sanctorum - 1741). Last three were also called "Missae ultimae" (Last Masses). == Description== "Missa Santissimae Trinitis" is the composition of combined sacred style - it does not divide the liturgical text only according to the conventional order of mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei), but also into shorter parts which form independent musical movements. In each of them the instrumental grouping, character and style differ. Old and modern techniques are joined, therefore, not only in the sense of changing the individual movements, but they also penetrate each other within. The mass is divided into 19 individual parts. Above all, the choruses reveal the strong influence of contemporary opera and concerto, and solo arias. The solo arias (in Part II, alto, in VI and XV, soprano) are much more extensive than other Zelenka's Mass arias of the 1720s. They are introduced by virtuose ritornellos which go on to demarcate the form. Orchestral parts are independent and rich with melodiously flowing solo voices. Similarly, the concertante choruses (Parts IV, IX and XI) are represented with modern ritornellos. The orchestra parts in these movements also are independent and often dominate over the simple homophonic chorus. The influence of the concerto structure is revealed in the contrast between solo vocal and choral parts. The opposite pole of the chorus concerto are the massive choral fugues - their dialogue here not only demonstrate the composer's technical mastery, but also illustrate the intellectual depth and significance of the work. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Missa Sanctissimae Trinitatis」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.